This has been a busy week with deadlines and meetings, so I haven't started anything new... again. (I'll be glad when summer vacation gets here!) I have been working with clay at school, so in a week or two I will have a picture of those to show. They have to dry, then get fired, glazed, then fired again.
So I thought I would go back a few years and pull out a colored pencil work showing the steps in progress, on black Stonehenge paper. I love the effect that you can get on black paper, but it is hard to light and to photograph. I've done several pieces on black stonehenge and plan to do more in the future. The trick is to put a good layer of a white underpainting where you want your lightest highlights, before adding your color. On this piece, I think I should have put more white on first. I had to go back and add more white between layers of yellow. The yellow has a greenish tint in the first few layers. After adding more yellow, more shadows, more yellow and more shadows, I went back and burnished to make sure the brightest yellows were solid.
with violet underpainting for darkest values,
and beginning of some yellow layers on bottom flower.
Beth S. Macre
Prismacolors on Black Stonehenge